Although Hechun was established in the eighth year of Jiaqing (1803) and later than the thirteenth year of Sanqing, later generations still call it "the four major Huizhou classes. The famous four classes are Sanqing, Sixi, Chennai, and Heche. In the fifty-fifth year of Qianlong Emperor Gengxu, Emperor Gaozong's eighty-year-old Wanshou entered the capital's celebration box, which was called the sanding Emblem', which was the originator of the Hui class." Wu Zhu said in "Suiyuan Poetry" "In the commentary, it is more specifically pointed out that "The Governor of Fujian and Zhejiang, Wu Nala, ordered Zhejiang salt merchants and Anqing Hui people to wish Li." After that, many Hui classes continued to enter Beijing. "Yangzhou Painted Boat Record" contains: "Gao Langtang entered the capital of Anqing Flower Department, combined with Jing Qin Erqiang, and his class is called Sanqing." Yang Maojian's "Menghua Suobo " published in the 22nd year of Daoguang (1842) also said: "And Sanqing precedes the Four Happiness. In the fifty-fifth year of Emperor Qianlong of the Qing Dynasty (1790), the first Huiban (Sanqing Class) headed by Gao Langtang (a famous moon official) entered Beijing to participate in a performance celebrating the 80th birthday of Emperor Qianlong. Therefore, in the development process, it has also performed many Kunqiang dramas and has also absorbed Laoqiang and other miscellaneous songs. Husband has strong fluidity, frequent contact with other dramas, and exchanges in the tune of each other. The predecessor of Peking Opera was the Hui class that was popular in the Jiangnan area in the early Qing Dynasty and mainly composed of singing, high-Piaozi, and Shuang. You don't need to sing, smile, and sit together, portraying the feminine expressions, almost turning away." "Looking at the Flowers Now," said: "It's like a woman, and she's not at all strong.
He was only 16 years old when he entered Beijing. Gao Langtang of the Sanqing class is from Anqing, Anhui. In this art competition, the Sanqing Huiban, who entered Beijing for the first time, emerged and attracted attention.
There is a gathering of groups of plays and all arts are competing for victory.
The front has not stopped, and the back has opened again. Or sing a song, or sing a fan of dancing shirts. The southern accent is tuned from the north to the north. From Xiamen to Gaoliang Bridge outside Xizhimen, a stage is set up every dozen of steps. This time, Beijing’s birthday celebration performance is grand. This Huizhou troupe mainly sings two reed tunes, and concurrently sings Kunqu, tune, and clapper. In the autumn of 1790, to celebrate the eighth birthday of Qianlong, Yangzhou salt merchant Jiang Heating (from Anhui ) organized a Hui opera troupe called "Sanqing Class" in Anqing, led by artist Gao Langtang into Beijing to participate in birthday celebrations.
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